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2008

Vol. 29, No. 6: VIEW ISSUE

Vol. 29, No. 5: VIEW ISSUE

Vol. 29, No. 4: VIEW ISSUE

Vol. 29, No. 3: VIEW ISSUE

Vol. 29, No. 2: VIEW ISSUE

Vol. 29, No. 1: VIEW ISSUE

2007

Vol. 28, No. 6: VIEW ISSUE

Vol. 28, No. 5: VIEW ISSUE

Vol. 28, No. 4: VIEW ISSUE

Vol. 28, No. 3: VIEW ISSUE

Vol. 28, No. 2: VIEW ISSUE

Vol. 28, No. 1: SORRY, SOLD OUT

2006

Vol. 27, No. 6: VIEW ISSUE

Vol. 27, No. 5: SORRY, SOLD OUT

Vol. 27, No. 4: VIEW ISSUE

Vol. 27, No. 3: VIEW ISSUE

Vol. 27, No. 2: VIEW ISSUE

Vol. 27, No. 1: SORRY, SOLD OUT

2005

Vol. 26, No. 1: Review: Wacom’s Cintiq Tablet/ Bounced Light/ Stop the Shaking: Gyroscopes and Image-Stabilization Lenses/ Hints for a Better Darkroom/ Portfolio: Earthworks/ Flare and Accurate Film Speeds/ Color Profiles on a Budget/ Henry Wilhelm Interview/ Photoshop CS for Photographers, Part II/ Microphotography/ Advanced Scanning Techniques
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Vol. 26, No. 2: Improving Shadow Detail/ Variable-Contrast Papers/ New Life for Old Omega Enlargers/ Color Filters Part I/ Portfolio: Photographing Community/ Preserving Your Legacy/ Going Digital on a Budget/ Film, Digital, Speed & Noise/ Why A Large-Format Photographer Went Digital/ Review: Picture Window Pro 3.5/ Review: nik Color Efex Pro 2.0/ Photoshop’s Shadow/ Highlight Tool
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Vol. 26, No. 3: “Silver-Rich” Papers/ Densitometers/ Macro-Photography: Backyard Bugs/ Filters and Gels for Color Correction/ Review: Lyson’s Daylight Darkroom System/ Infrared Landscapes/ Digital Infrared Photography/ Portfolio: Ethereal Light (Infrared)/ For the Best B&W, Start in Color/ Review: Canon EOS 1Ds Mark II Digital SLR/ Review: Fuji S3 Digital SLR/ Review: Optipix 3 for Photoshop/ Review: Canon i9900 and HP Designjet 130nr
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Vol 26, No. 4: : SORRY, SOLD OUT

Vol 26, No. 5: : SORRY, SOLD OUT

Vol. 26 No. 6: Salvaging a Seriously Underexposed Negative / Diffraction and Resolution/ Rediscovering Niépce/ Guide to Variable-Contrast Papers/ Color Harmony in Photography/ Portfolio: Blended Pinholes/ Creating and Photographing Camera Obscura Images / Inventive Lighting / A Guide to Using and Buying Light Meters / Perspective Control for SLR and DSLR Cameras / Tutorial: Color-Correction Workflow, Part II / Review: Olympus Evolt E300
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2004

Vol. 25, No. 1: Professional Techniques for Photographing Butterflies/ Vitrographs: Silver Prints from Glassware/ Review: Photek Illuminata II Softbox/ Portfolio: Western Landscapes/ Perfect Metering; Calibrating Digital Darkroom: Scanners and Printers/ Color Gamut/ Canon i9100 Photo Printer
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Vol. 25, No. 2: Spotting Prints/ Quartz Lighting Technique/ Noblex 135U Camera/ Testing Resolution in Film and Digital/ Digital Photo Restoration/ Calibrating Digital Darkroom III/ Review: Photoshop CS/ Dubler Goes Digital/ Dye- and Pigment-Based Inks
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Vol. 25, No. 3: SORRY, SOLD OUT—Pyro: Better Detail, Sharpness?/ Using a Telescope as a Long-Focus Lens/ High-Speed Flash Photography/ Balancing Foreground and Background Lights/ Portfolio: Art and Truth in Wedding Photography/ Black-and-White Photography with StudioPrint/ RAW Power: Using Your Digital Camera’s Hidden Tonal Range/ The Importance of White Balance/ Digital Sharpening—Under the Hood/ Olympus E-1: Digital from the Ground Up

Vol. 25, No. 4: Aerial Photography/ Kite Aerial Photography/ Sunpath Software/ Split-Toning—a Whole New B&W / Easy Application of the Zone System / Portfolio: Seven Square Miles (Lawrence, MA)/ Kodak’s New B&W Paper: A First Look / Digital and Film Portrait Lighting Differences / Getting the Best Possible Final Output/ HP Photosmart 7960, Color and B&W in One Printer / Digital Output on Watercolor Papers / Comparing the New 8-Megapixel Cameras
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Vol. 25, No. 5: The Endless Possibilities of Dual-Toning / Kodak’s Upgraded Color Negative Films /Pyro Revisited / Unsharp Masks Offer Many Advantages / Portfolio: Tamara Staples—How to Shoot a Chicken/ Using Slide Projectors for Studio Effects / Shooting 200 Lawyers in 10 Minutes / Portable Lights / Digital SLRs Approach Digital-Back Quality/ Color by Number: The Secret Language of Digital Color/ Dfine Turns Down the Noise / Technical Pan Highest-Resolution B&W
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Vol. 25, No 6: Photographing the Northern Lights/ Wet or Digital—Which Darkroom Should You Use? / Fuji’s Acros Film Taken Beyond the Zone System / Portfolio: Images from the Heartland by Ron Harris/ Interpreting Film and Paper Curves / 30 Best Cameras/ Vienna: Portraying Living Art / The Epson 4000 Printer / Photoshop CS for Photographers, Part I
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2003

Vol. 24, No. 6: 25 Best Cameras / Dye Transfer & Jewels of Kilauea / Mixing Successive Solutions / /East Meets West: Visiting David Vestal / Portfolio: Wide & Super-Wide Angle Lenses / Travel to Morocco / Master Print Class: Sierra Wave Cloud / HC110P & Superadditivity / Color Infrared Photography / Exposure Metering for Digital Cameras / Histograms & Digital Imaging / Art of Photoshop: Blending Channels
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Vol. 24, No. 5: Classic Three-Light Set-Up / Master Printing Class: Hollows and Points / Kodak Retina IIa / /Reciprocal Trade Agreement / Portfolio: Abstraction by Howard Bond / Shot in the Dark: Lighting Caves / Review: Fujicolor NPH 400 Pro Color Negative Film / World of Piezography / Calibrating Digital Darkroom: Monitors / Digital Camera Profiling
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Vol. 24, No. 4: B&W Reciprocity Departure Revisited / Review: Canham 6X17 Rollfilm Back / Developing a Photographic Style / Print Permanence / Photographs of Keith Carter / Monochrome Developer: Evolution of Eaxctol / Review: Fuji FinePix S2 / Nikon’s Capture 3.5 Software / Review: Kodak 8500 Dye-Sub Printer
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Vol. 24, No. 3: Jackson Hole, WY/ Hand Coloring Tricks / Umbrellas vs. Boxes / Conversation with Al Weber / Make Your Own Ground Glass / Big Thicket, TX / Kodak Portra Endura Papers / Review: Nikon D100 / Joy of Digital Printing / Photoshop: Temporal Iridescence
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Vol. 24, No. 2: Testing Kodak's Remanufactured B&W Film/Magic Box: Color Correction Tool/Designing Images/Shooting in Florida Keys/Color Temperature/PyroTechnics Plus/Rock, Pool & Trees/Build a Filter Drawer for a Cold Light/Factors that Affect Image Permanence/Digital Macro Marvels/Care & Storage of Digital Photographs
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Vol. 24, No. 1: Dye-Dodging B&W Negatives / Coupling 35mm Lens for High-Mag Photography / Exposure Corrections for Close-Ups / Pronto/Compur Connection Maintenance / Denis Brihat: Color Toning for B&W Prints / Photographing Barn Interiors / Calculate the Depth of Field of Enlarging Lenses / Reviw: Canon EOS 1Ds / Custom-Printing Plug-Ins for Photoshop / Art of Photoshop: Infrared B&W / Review: Polaroid SprintScan 120 / PT Collector Print Offer: Salvatore Vasapolli
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2002

Vol 23, No. 1: Low-Light Photography with Long Exposures / Review :.dr5 process / Salt to Taste? / Great Sane Dunes Monument / Room Temperature RA-4 / Polarized Light / New Digital Negative / Review: Epson 1680 Flatbed Scanner / Applying MTF to Digital
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Vol. 23, No. 2: Resolution & Myth of Third-Party Lenses / Transition from Silver to Digital Printmaking / Dragging the Shutter / Greek Monument Y2K Survey / Master Printing Class: Ft. Knox / Ancient Microworlds / Is Your Prints Paper Sharp Enough? / Review: Harrison Changing tents / Review: Canon EOS 1D / Characteristic Curve in Film & Digital Imaging / Art of Photoshop: Light Painting
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Vol. 23, No. 3: The Photographs of Brad Cole/Lighting: Beauty Dishes/ Anatomy of a Portrait/ Portfolio: "Best Portrait" Contest Winners/ Changing Contrast Locally with Variable Contrast Paper / Marilyn Monroe: Bring Faded Transparencies Back to Life/More on Vitamin C and the Mysteries of Sodium Sulfite/ Guide to Premium Scale-Focusing Cameras /Explaining Resolution in Digital Imaging/ REVIEWS: Olympus Camedia P-400 Dye Sub Printer/ PocketWizard MultiMax/Nikon D1x
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Vol. 23, No. 4: Master Printing Class: Mineral King, Late Afternoon / The Joy of Carbon Pigment Printing, Part 1 / Creating Light with Farmer’s Reducer / Grain and Extended Film Development / Fujicolor NPZ 800 Pro Negative Film / Photoshop 7.0 / Art of Photoshop: Noise and Grain / Reviews: Leica M7 / AlienBees Flash / Kodak DCS Pro Back
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Vol 23, No. 5: Darkening Backgrounds / Ground Zero Panoramic / Wynn Bullock Tribute / Insider’s View of Paris / Filtered Vision / Hovenweep Nat’l Monument / Aliasing and Moiré Fringes / Digital Photography across Macs and PCs / Reviews:Contax N1 / nik Color Efex Pro / Epson 2200, 7600, 9600 Printers
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Vol. 23, No. 6: 25 Best Cameras & 5 Great Digital Systems/Adjusting Film Speed/Carbon Pigment Printing II/Compensating Developers & Agitation/Using Spot Lighting/Color Management/Darkroom vs. Digital/Minolta DiMAGE Scan Multi-Pro.
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2001

Article index

Vol. 22, No. 1: Lighting Patterns / Ultra Large-Format Cameras / Portrait Sittings / Review: Pro Color Negative Film / Photographing in New Zealand / Isodensity: Measuring Sensitivity
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Vol. 22, No. 2: Light Painting / Review: Maum 9 / Economical Registration Device / Review: Daylight-Balanced Pro Color Neg Film / Modified Developers / DIGITAL SECTION / Photoshop: Gradation / Digital Master Printing Class / Review: Canon D-30
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Vol. 22, No. 3: SORRY, SOLD OUT—Lighting for Mood / Gasparcolor / Effects of Heat on Pro Color Film / Isodensity, Part II / Review: Heiland Splitgrade / Guide: Carbon-Fiber Tripods / Step Target Focusing Aid / Review: Ilford Delta 400 Film / Why Shoot Digital?

Vol. 22, No. 4: New Light on Shadows / Film Developer Longevity / Under Antarctic Ice / Master Printing Class / 2001 B&W Paper Guide / Using Kodak SO-132 Duplicating Film / DIGITAL SECTION / Review: Epson 5500 / Photoshop: Saturation
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Vol. 22, No. 5: Max Aguilera-Hellweg / Flash Fundamentals / Dodge & Burn Masks / 135mm Lens at Low Cost / Cheap Scanner Tricks / Review: Bergger Paper / Shooting NYC Bridges / Digital Master Printing Class / Sharpening Tools for Photoshop
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Vol. 22, No 6: 25 Best Cameras & 5 Best Digital Systems / Classic Portrait Lighting / Selenium Toning: Maximum Black and Drydown / Dodge & Burn Masks II / Darkroom Tips / DIGITAL SECTION / Digital Noise / Photoshop: Contrast Masks
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2000

Article index

Vol. 21, No. 1: Ralph Steiner on Walker Evans / Controlling Infrared Photography / Simultaneous Development & Fixation / Illford Ilfotec DDX / Gelatin Acrylic Photographic Posterization
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Vol. 21, No. 2: SORRY, SOLD OUT—Chasing Cartier-Bresson / Controlling Light for Photography / More Pyrotechniques / Bromoil Process / Oriental Seagull P apers Return / DIGITAL SECTION / Millennium Performance for Inkjet Printers / Photoshop: Reorchestrating Light

Vol. 21, No. 3: SORRY, SOLD OUT—Resolution Losses to Diffraction / Optimizing Enlarger Light Intensity / Extreme Weather Photography / Motion Effects / Guide to B&W Films / Kaiser Enlargers

Vol. 21, No. 4: Digital Camera as Large-Format Accessory / Filtration Effects on VC Paper / Commercial and Stock Child Photography / Photographing Childbirth / Review of Hasselblad Xpan / DIGITAL SECTION / Photoshop: Color Analysis
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Vol. 21, No. 5: SORRY, SOLD OUT—Review of Kodak Portra Films / Double Exposures / Hand Coloring Infrared and Conventional Photographs / Guide to Pro f/2.8 Zoom Lens / Review: Jobo Colorline 5100

Vol. 21, No. 6: SORRY, SOLD OUT—Negative Prints / Advanced Macro Techniques: Flying Insects / Lens Choices: Focal Length vs. Depth of Field / Travel Photography / 25 Best Cameras / DIGITAL SECTION / Review: Epson 2000P / Photoshop: Color Overlays / Creating a Web Gallery